by Jon Lemay

Fable

after Henri Cole's "Solitude: The Tower"


Not long ago, I lived in a two-bedroom apartment
by myself, planted among the poplars of Memphis.
Nearby, there was a river that flooded at the city’s birth,
which I only ever saw when I was too drunk to notice anything.
Occasionally there were tornadoes, and I always hid
in my dead roommate’s closet, making sure to call a friend
who would appreciate being my last conversation.
When I sat cross-legged on my unframed mattress and failed to write,
I’d let the light from my laptop lick my face—thinking on loss, thinking
on love, thinking on solitude—and my eyes burned,
loneliness grazing my skin until I was on the brink of laughter,
then anguish. But writing this now, partially just to write something,
partially because I mean it more than I’ve ever meant anything,
I feel happy. I feel like I could live for a very long time.

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Jon Lemay is an MFA candidate at Syracuse University, where he is an Editor-in-Chief for Salt Hill Journal. His poetry has previously appeared or is forthcoming in JukedPreludeHobart After Dark (HAD)DIALOGIST, and elsewhere—and his reviews have appeared in Barrelhouse and Poetry Northwest. Jon also co-hosts Pat & Jon on Their Best Behavior, a podcast about film and music. You can find him on Twitter @yawnlemay and on Instagram @jonlemay, and you can find his other work at linktr.ee/jonlemay.

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by Eric Tyler Benick

Fox Hunt

sometimes i think resentment is my sexuality
if a fox can be thought of as sexual
and by that i mean resentful

do you see the signals i’m stuck between

they should invent a new fallacy
and call it fox hunt

a lousy symbol set loose into the world too soon

how poorly i’ve reckoned the natural order
inoperative                   intransitive
queasy to the direct action of survival

what do i do with this fox suit
now that i can’t take it off

must i inhabit the literal world of poems
the only death worse than dying
alone with all these cheap stand-ins

my icarian curse was flirting too much with allegory

now all of the meanings i never intended
have risen to defeat me



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Eric Tyler Benick is the author of the chapbooks I Don't Know What an Oboe Can Do (No Rest Press, 2020) and The George Oppen Memorial BBQ (The Operating System, 2019) as well as a founding editor at Ursus Americanus Press, a chapbook publisher. His work has appeared or is forthcoming in Bat City Review, Southeast Review, Armstrong Literary, Washington Square Review, 3 A.M. Magazine, Birdcoat Quarterly, Mount Island, Ghost Proposal, and elsewhere. He lives in Brooklyn.

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by Hadley Griggs

Junk

Chase in the gooseyard, bee stings on big toes. Sitting shower-wet on the heat vents, the air ballooning our nightshirts. Mom died early on a spring morning, Dad got the call while we listened mouse-silent on the stairs. He learned how to boil water, oven-bake frozen meatballs, his only meal. Evening TV, he’d fall asleep in his armchair with a warm can of Busch, his face like loose putty pulling away from the bones. He became like a stranger, reclined there. We’d tiptoe around his chair, sneak beer-swigs, play pirates with pieces of old blinds. Then one Saturday he woke us up from our beds to show us an ottoman abandoned across the street—Help me lift this is all he said.

He began to build piles in our basement: taxidermied ducks, crystal doorknobs, records, record-pieces, canes made of oak roots, stacks of cheap china, lampshades, animal heads, particle board, an old salon chair with the hair-dryer extension. We weren’t allowed down there—he knew Thomas and I would accidentally break porcelain dolls under our bare feet, topple precious piles of aluminum cans. But during night-dares we would creep through the stacks, convince each other to touch the wood cat with the horrible smile, spit into the brass vase by the furnace. The first golf balls he stored in egg cartons, and as he slept I waited for them to hatch.

Years later, when my dad died, Richard and I got a four-day babysitter and flew in for the funeral, flew to clean out the basement. Richard’s first time in Cincinnati, so hot, the air cheese-thick with exhaust. Thomas met us at the airport, in from Phoenix, Wow, how long has it been and This is going to stink. And who knew lockboxes of old duck feathers had a smell? Lakewater, scum, nickel. Stacks of junk mail crust and buckle like maple leaves, the addresses flake and fade. A military-surplus jacket can melt in your hands, if it sits in a puddle for fifty years. It drooped to the floor in long ropes, I almost couldn’t bear to watch.

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Hadley Griggs is an MFA candidate at Syracuse University and the creative director of elsewhere mag's print division, elsewhere press. She’s been published in CutBank, the Jabberwock Review, and Inscape. Before this, she managed the editorial team for the Sundance Film Festival.

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by Danielle Gillespie

Instructions for Care and Use

Iris

Iris  

Description: Your grandmother owns a plate set, white Corelle, with purple irises at each center. There are matching cups made of a thick, clear plastic. Fill them with tap water; watch the iris float. In the sun room, where she keeps framed drawings from you and your sister—of Elvis, of Barney Fife, a girl with blue, blue eyes—find an inked iris you drew her nearly a decade ago.

Back in the dining room, suctioned to the window, note the stained-glass iris the size of a small salad plate, throwing orange and green light. When it’s spring, you can gaze beyond this glass iris and see real ones—purple and white, peach—their tall heads poking up above the other flowers, hovering.

Home: Plant in a tight circle around the septic tank behind your childhood house. But only the dusky maroon, the deep purple. In the big garden, the one behind the honeysuckle, plant them in a row of yellow and white. Plant your favorite, a ruffled peach, apricot bearded, around your grandparent’s gazebo. They bob in time to your grandfather’s transistor radio.

When your grandmother gifts you your own bulbs, that first spring in your first house, pick up your trowel, brush back chunks of rubber mulch, and bury them by the sidewalk. Next to the plastic pot, the rotting wooden plant stand, the white stone dove—detritus of the previous owners. This gnarled tuber is something of your own.

CareWake up early the day your iris blooms. Your husband will tell you it’s happened. Your eyes will feel thick and glassy, but resist the urge to go back to sleep. You’ve been watching for weeks now—from leaves to stalk to bud.

It is more beautiful than you could have imagined. A light blue; periwinkle. The ruffled bloom makes you think of Victorian ladies—all delicacy and satin gowns. Or maybe Cinderella: brief moment of splendor, and then, by 8 am, the spell broken. Bloom descending towards the earth, showy head too heavy for the stalk to bear.

TypePerennial. Wrap their cut stalks in damp paper towels to take as gifts for your grade school teachers, your mother, your grandmothers. Pick them off the ground after heavy rains, spring storms, when the thin petals rip and spot like pantyhose.

When the blooms have all expired, heads curling like fat slugs, your mother runs the mower over them, leaving behind a trail of oozing leaves. This, perhaps more than anything else, signaling the change of seasons.



Petunia

Petunia

Description: The first summer in your new house, your neighbor Nancy, a woman in her 70s, brings you a grey planter filled with petunias. They are bright pink, velvety. Grown from her own seeds. You imagine she has seen you scratching at the dirt, planting small sticks of Rose of Sharon along your shared fence line. They are miniature versions of the mature shrubs that push through the chain link in her yard, reach into yours. You imagine she knows these starts ultimately end up in the wet mouths of your dogs, scattered across the lawn.

Home: In partial sun, in the middle of your picnic table, positioned so you can see them from your kitchen window. When you drink your morning coffee, you’ll watch their soft heads bow.

Care: Water them faithfully for the first two weeks. When heavy rains tip over the container, scoop back in the wet soil. Set right. Soon, you’ll forget to water them. Or rather, it will get hot, and you’ll stop watering them. You know your neighbor can see them from her back patio. That she’ll watch them bending and curling, leaves dropping, stems bent like yellow slivers of moon. Her petunias spill over the sides of her hanging baskets, sway in containers exactly like the one she gave you. You try to coax yours back to life—spurts of enthusiasm that fail to rouse them. By the end of summer, the soil will be compacted nearly to brick. The plants brittle silhouettes.

TypeAnnual. Next summer, you’ll yank the petunias out by their roots, and replace them with bright orange marigolds. Your neighbor never says anything about the plants. She brings you and your husband tomatoes from her garden. Muffins and cakes. Extras, she says, she didn’t know what to do with. She gives your dogs a red rubber pig they send squealing across your patio. She’s determined to make friends with your border collie—ghost of her own dog, recently passed. Your dog growls through the fence, but takes her treats.

You water your marigolds. You watch next door. It’s quiet. You haven’t seen her working in her garden or sitting on the porch, blowing rings of smoke over her flowers. It’s fall before you learn your neighbor has cancer. It’s less than a month before you learn she’s died.

 

 

Bleeding Heart

Lamprocapnos spectabilis

Description: Your grandfather has a green thumb and a grower’s heart. His yard is a patchwork of gardens, every year expanding, sprawling. Everything green: hollyhocks and snowball bushes. Poppies and lamb’s ear. He always claims he’s cutting back.

Though he grows many plants and he grows them well, bleeding hearts are the one thing he can’t quite grow.

Each year, your mother [his daughter] watches her bleeding heart unfold into an impressive mound, while your grandfather’s remains a small, rounded bundle. You try to cheer him up. Assure him, in all your youthful tact, that his is “cute.”

The bleeding heart blooms in early summer, from May to June. It’s early June, 2012, when you lose your grandfather. This is a loss that reverberates through your family—unexpected and unprepared for.

Home: In the garden next to your grandfather’s driveway, in your mother’s front flower bed beside the balsam pods she taught you to squeeze, pop open to reveal black seeds.

One day your mom pulls in your driveway with a heart resting in her floorboard. You plant this like you’ve planted her other gifts. You plunge your hands into the earth, and sink it in. Hope it roots down, deep and sure. You like this plant’s sagging stems, its weighted look. You like how the blooms jangle and bop one another in the breeze. How tenuously they’re attached.

Care: Water and watch. It seems you’ve inherited your mother’s luck with this plant. By the second year, your plant is safely “medium.” You find yourself a little proud, a little disappointed.

Type: Perennial. A reminder.



Pothos

Epipremnum aureum

Description: You’re helping your boss pack for California. She’s given you clothes and cookware. Part of her DVD collection. An assortment of mugs that still sits in your cabinets to this day. In the two years you’ve worked for her, she’s become a mentor, a pseudo sister. She’s cracked a little part of your shell and started unwinding you from the inside out. Before she leaves, she gives you one final gift. A start from her pothos. A plant that was given to her by her mother and given to her mother by her great-grandmother. She tells you her mother received the plant when she was 18—a gift she took with her to college. You imagine it sitting on a windowsill in her mother’s dorm room, leaves canted towards the sun.

HomeA squat white pot on a stand in your office, next to your desk, where you will feel this bit of life, this bit of green, throbbing beside you.

Care: Remember to keep the windows open. To rub dust off its leaves. You’ll neglect it a little. Forget to water it until brown stems snap onto the floor and your cat paws and mouths them. But eventually, you’ll get it right. You’ll watch it grow. Its vines spilling over, green tongues tasting the hardwoods, pushing down and away. Reaching for the hallway. You hope it makes it past the door frame. That it just keeps growing and growing.

TypeWhen conditions are right, potted pothos can grow up to 10 feet in length. In the wild, they can grow up to forty. You think about that mother plant, so many miles away, leaving little parts of itself behind. 

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Danielle Gillespie received her MFA from the University of Missouri-St. Louis. Her work has appeared in Big Muddy, Prime Number, Quiddity, and Pithead Chapel. She lives in Alton, Illinois with her husband, two dogs, and a cat.

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