by Rachel Lake

The Woods Outback

I come from the pine and the owl in its branches.

I come from fields filled with corn and a town

with one stop sign, one abandoned tractor, one acre

of blueberries, two dirt roads, one black family.

I come from the deer my stepfather shot, its legs

slumped to both sides, and the gory grin spilling onto

the kitchen table. I come from my mother, with a hundred

knives spread on the counter like graves.

I come from the graves. I come from tombstones I read

to myself like counting rosary beads on nights I can’t sleep.

I come from sickness in a Victorian home,

hospital gowns crumpled into corners and naked women

who dance beneath red neon lights. I come from hips.

I come from a sterile bathroom and a Playboy magazine,

more science than nature. I come from ragged breathing

and sex hot in my palm like bile, the kind of urgency that stains,

something boiled and oozing red, a cry in the woods

and the silence that follows.


Rachel Lake grew up in a small agricultural town nestled in the pinelands of New Jersey where she learned how to drive a manual and kept books hidden beneath her desk during class. She graduated from Sarah Lawrence College with her MFA in 2014 and currently lives in New York with her partner and two cats. You can reach Rachel at rachelklake@gmail.com—she’d love to hear from you.


by Rachel Lake

Last Night I Heard the Mollusks

whispering from the garden

gliding unctuous bodies like slabs

of margarine toward the open window.

They were after blood for the pearl

necklace my husband gave me,

the lustrous string around my throat,

moonlit and gleaming above the collar

of my shift, pale clavicles.

Snails and slugs crept in solidarity

fat-bellied across the windowsill,

left trails on the walls and over the headboard,

then fell on us with keen pink tongues.

They were young and angry about the ways

their bodies had been used,

but you had to admire their economy;

the way their hearts circulate, reproduce,

expel it all. We had taken something

belonged submerged.


Rachel Lake grew up in a small agricultural town nestled in the pinelands of New Jersey where she learned how to drive a manual and kept books hidden beneath her desk during class. She graduated from Sarah Lawrence College with her MFA in 2014 and currently lives in New York with her partner and two cats. You can reach Rachel at rachelklake@gmail.com—she’d love to hear from you.


by Rachel Lake

From Water

Several inches above the topography

of twisted sheets, I levitate—

pistachio green, a mouth-full of pine

needles and orange peel fungus.


Salt water and wolfbane stews

in the cochlea of my left ear until I tug

that earlobe down, feeling the warm

drip down my neck. I live in the wake


of beauty, tripping over the filament

of someone else’s fur, their shining black eyes

and smoky breathing. So fertile.

Beneath the elastic of skin, chlorophyll pounds


my bones, yellow and daffodil-honeysuckle,

choking eyes from my skull.

I can’t remember the names

of the plates that make up a human skull.


This is what the lake might feel

when it evaporates beneath the sun

floating in clouds.

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Rachel Lake grew up in a small agricultural town nestled in the pinelands of New Jersey where she learned how to drive a manual and kept books hidden beneath her desk during class. She graduated from Sarah Lawrence College with her MFA in 2014 and currently lives in New York with her partner and two cats. You can reach Rachel at rachelklake@gmail.com—she’d love to hear from you.


by Rachel J. Bennett

For the Programmer

I’ve gladly become real

in your hands, stars

moving like airplanes away


from their origins. Let me

tell you I was happy

as a dog with my head


out the window. Let me

become totalitarian

in my joy. I’m starting


to get tired of these woods,

but I’ve kept my voice nimble

for you, topped off these


potions for you. I said

to act and to be acted

upon. The best delusion


is how honest this is, how

it’s just a stone’s throw

away, intimacy, and one


of us will be the stone.

Another ending, quick and

bloodless, would be to say


it was perfect enough.


Rachel J. Bennett likes raked gravel. Her chapbook, On Rand McNally’s World, will appear in 2015 through dancing girl press. Individual poems can be found in Big Lucks, inter|rupture, Queen Mob’s Teahouse, Salt Hill Journal, Similar:Peaks::, Sixth Finch, Rattle, Verse Daily, and Vinyl Poetry. She lives in Brooklyn and, tweeting, here: @rachtree11.


by Laura Creste

No Hunting


It must be awful to be a mother
I write during my summer as a nanny.
When my days are all sunscreen and small disasters,
blowing sand out of the binding of library books.

There’s a man I hate missing and hate
remembering he never made me feel safe
as a cab rising to meet my arm.

The children are rich but don’t yet know it.
I want to tell him about the photos
Annie Leibovitz took of them,
how beautiful they are.

On the property in Bridgehampton
they hide, I seek, and we find deer beds,
grass matted down to a sheet.
I check my charges’ ankles for ticks.

Deer in the cornfield are unafraid.
They eat raw white kernels
unstartled by the children
shrieking on the trampoline.

See how the sun setting
over landlocked fields
feels terrible.


Laura Creste is an MFA candidate in Poetry at New York University, a graduate of Bennington College, and co-public relations editor of Washington Square Review. Her poems have appeared in plain china, the Silo, Control Lit Mag and elsewhere. She has written for Bustle and Full Stop.



by Zach VandeZande

Luck

I was on fire. It was an accident (I don’t want you to get the wrong impression). This was on the fourth of July. I was drunk and a little stoned and in a beach chair on Jenny’s back lawn at her barbeque with my eyes closed, and I was imagining that I was on a beach watching over baby sea turtles, shooing away gulls and these mean crabs and anything else that looked threatening. No sea turtles would die on my watch. Maybe I was half asleep, I don’t know.

What happened was: this dog was at the barbeque, a real muppet of a dog, with thick, wiry fur that pretty much always looked dirty, and she’d found this old half-rotten tennis ball, and she was going up to each person at the barbeque and seeing if they would throw it. The ball itself was pretty nasty and had been found God knows where. Jenny wasn’t the dog having kind. There weren’t many takers, and the ones that did take the dog up on her offer soon found that she was a particularly single-minded dog. She didn’t want to be pet, or her belly rubbed, or to play fetch with a stick instead, or to sit—she wanted you to throw the goddamn ball, and then throw it again when she brought it back. She was just that kind of dog.

She tried a lot of people before she got to Joan. I like Joan, genuinely I do. She’s got a friendly face and lousy posture, which is a combination I can trust. And it’s not like it’s her fault that she really loves dogs, but her roommate’s allergic, and so she tries a little too hard to get dog owners to notice that she really loves dogs so that they will remember her when they have to go out of town suddenly to attend a grandparent’s funeral and she will get a chance to feed Banjo or Waffles or whatever this particular dog’s name was. I don’t blame her one bit for it. A freak occurrence. Couldn’t be helped.

What happened was the ball was a little slimy and all from dog spit, so when Joan reared back to throw it, showing as much enthusiasm as the dog, it slipped loose, took an errant bounce off the base of a shade tree, and rolled to a stop underneath the still-live barbeque pit. It was one of those cheapie circular grills on three legs that Jenny set up for the veggie burgers.

You can guess how it went from here, I imagine. The dog careened into the grill, knocking it out from under itself, spilling live coals over the dog’s back. Joan screamed. The dog’s wiry hair caught fire, and she didn’t even yelp, because she had the ball, and she was headed back toward Joan, whose scream sent her running away in a panic. All my drunk friends jumped and turned toward the sound. They all looked at Joan first. Me, I’d seen it all happen. I was watching the dog.

I don’t know when precisely the dog knew what kind of trouble she was in—I still think about it, sometimes—but she kept running towards and then away from people, and the look in her eyes, and the flames rising off of her too awful for mythologizing, and the smell, and the big bald cliché of a horror so inexplicably cruel.

No one knew what to do. Steven threw his drink. Mark ran away from the dog when it headed toward him. Joan kept screaming. I sat dumb in my chair wishing I were sober. Wishing there was something sensible to do when a dog is burning to death. But there isn’t anything.

When the dog turned toward me, it felt like I knew what would happen. She came close enough that I was able to reach out and hook a finger through her collar. Her momentum knocked my chair over, and even though my legs got all tangled up in it I was able to land sort of on top of her. I held her down as best I could while she squealed and bit at me. I knew I was being burned too, but mostly I held tight and tried to keep a clear head. I locked my arm around the dog’s neck and squeezed as hard as I could. The dog stopped struggling, and I felt something give in her throat. Someone ran up with the hose.

People said I was a hero, but I don’t know. I think they think I was just trying to hold her down or smother out the flames. I wasn’t. It seems cruel, and more than a little useless, to try and correct them.

I ended up with some minor burns and a ruined shirt and some very awkward sex with Joan, which maybe isn’t worth mentioning, but to me it’s part of the story. The dog’s owner, who I didn’t personally know, slipped quietly out of all of our lives, probably as relieved and eager not to see us again as we were. Last I hear he’d taken a job out in Las Cruces.

Every year when the new grad students come to town, somebody sees fit to tell it again. It’s always told a little wrong, just like every story. More often than not, the fresh-faced response is to turn to me and say that I was so lucky to not be hurt worse. I guess that’s true: I was lucky. A thing I may as well believe.


Zach VandeZande is the author of Apathy and Paying Rent (Loose Teeth Press, 2008) and the forthcoming Lesser American Boys (Queen’s Ferry Press, 2016). His work has appeared or is forthcoming in Ninth Letter, Gettysburg Review, Word Riot, Portland Review, Cutbank, Passages North, PRISM InternationalSlice Magazine, Atlas Review, Necessary Fiction, Crack the Spine, The Boiler, The Adroit Journal, and elsewhere. He likes baking bread, hammocks, and people who bring their dogs.