by nicole v basta

when i say my partner, i mean Anxiety

i’m burning up in the dark but can’t take the dark off
bodiless nights fragment and drape, kingdom-


of-shawl, muscle flexed with what others forgot

the machine of the world, a hunger slouched toward half-full at best


please spare me—i didn’t mean to be this kind of animal

the world outside is asking so i swallow each golden dull


of other people’s need and i love you and i can’t stop consoling you

did i do it right? when i needle a little steady to my lapel, if i pin


the this is not me version of me, all that binds is still just wish

thirst, a pool of stars before they grip


how do i unthread the threats? a body laced, counting commas

of what, i’ve said, of what, i’ve failed, of what, i’ve failed to say


i can count on ahead of here i won’t be any kind of breathing

and neither will you—skull-spiral, bright-breath, spare me, still

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nicole v basta’s recent poems appear or are forthcoming in Qu, VESSEL, Redheaded Stepchild, The Shallow Ends, Ninth Letter, Nat. Brut, SWWIM, Pinwheel, etc. She is also an amateur collage artist, wannabe carpenter, and an Assistant Poetry Editor at ANMLY. Find her chapbook & more here: nicolevbasta.com

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by Abbie Kiefer

On Grey's Anatomy, a Woman Dies of Cancer

First, there’s a successful procedure,

a promising drug,

five determined surgeons—

nearly a full episode of hope—

instead of one apologetic oncologist,

one nurse with hospice pamphlets.


Then, when it’s turned sad and lovely,

there’s a bright clean room

with a soft white bed

and just before the credits

the woman laughs with her daughter

about the importance of orgasms.

As if the mother remembers

a body capable of joy,

as if the daughter could fathom

a body not her mother’s.

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Abbie Kiefer’s poems are forthcoming or have appeared in The Cortland Review, The Penn Review, december, Booth, Up the Staircase Quarterly, and elsewhere. She lives in New Hampshire. Find her online at abbiekieferpoet.com.



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by Nicole Haroutunian

Poaching

The New Year’s Eve we were fifteen, my best friend Molly and I had a plan. We told my uncle that her crush thought she was dating a much older man. I’d ad lib-ed the lie to help her make Zev jealous, but if we didn’t produce this mythical adult sometime soon, it was all going to backfire. Carl, my dad’s much younger half-brother, was not quite thirty and an aspiring actor; he readily volunteered to play the part. He drove us to Zev’s house, waited around the corner for thirty minutes, and then arrived in a supposed jealous snit to pick her up. She was to rebuff him, leaving her open to a midnight kiss with Zev. Somehow, though, he was invited in. For some reason, though, he brought a case of champagne. For the first bottle and a half, it was the most fun we’d ever had. But when Uncle Carl pulled Molly into his lap and Zev stormed out of the room, I followed. I didn’t want to see that either. As the ball dropped, Molly was with Carl and I was with Zev. 


Sophomore year of college, we were sitting on our respective beds when my roommate Lila said, “You’ll never believe this.” I didn’t look up from my laptop because what I couldn’t believe was that she clearly expected me to spend the night discussing the intricacies of her not-so-recent break up for the hundredth time. When I ended things with Zev, I didn’t talk about it with anyone. The guy I was sleeping with that semester had a girlfriend at another school, but if she didn’t know and I didn’t get attached, who cared? Don’t get attached, I’d told Lila—how many other ways could I say it? 

The next morning, my keys were missing; Lila texted she’d taken them by accident and that I should meet her in the basement of the bio building. As a literature major, she was my only intersection with the pre-med world, so it took me a while to find my way down the strange fluorescence of the right subterranean hall. Approaching the swinging doors where Lila said she’d be, I was nearly felled by a dense, murky smell, an odor so strong it had a shape, a deep deathly color. I was surprised I could see Lila through it when she, clad in a mask, opened the door. “A body?” I asked, flattening myself to the wall, extending my hand to take the keys she didn’t quite proffer. 

“Not exactly,” she said. I couldn’t see her mouth, but could tell by her eyes that she was smiling. On the table behind her was a mass the size and basic shape of a car, covered in what looked to be flesh and fat and some raw rough sort of skin. “An elephant from the zoo died and was donated,” she said. “We get extra credit to help clean the skull. The email from last night explained.” I don’t know what she thought I’d do, apologize? I gagged, grabbing for my keys. I wished I could call Molly to mirror my outrage; she always loved those stories of safaris gone wrong, of animals exacting revenge. 

When I explained to my new roommate why I’d requested to switch dorms, she said she thought the thing with the elephant head had been a hoax. “I can still smell it,” I told her, and I could. 

I’ve been in Brooklyn for a decade when I run into Zev at my favorite bar, the one with the fireplace and Christmas lights year round. “But this is my bar,” he says. “How are we only just seeing each other?”

“I didn’t recognize you,” I say. He’s thicker through the chest now, his whole bearing different. His voice still has that North Jersey nasal edge to it, though. It’s such a sense memory, hearing him talk, that I drain another drink leaning against the bar as we catch up. My friends salute me as they leave, although one texts a moment later to make sure I’ve noticed Zev’s wearing a ring. Another round appears and finally I sit down beside him. 

“It’s hard to catch up after so many years,” he says. “Tell me your funniest story.” 

Of course I tell him about the elephant. He hoots. There’s something about getting a rise out of him; for a blink, I catch myself feeling fifteen again.

“I read in the alumni magazine that she’s a plastic surgeon,” I say. “One of the bloodiest jobs there is.” Meanwhile, I can’t even sniff milk to see if it’s spoiled, any whiff of rot taking me back to that day, before I knew that the hundred and first time talking something through could be the time to crack it.

Zev’s swivels his stool so his knee is between mine. His right hand, warm and manicured, is touching my left, a light in his eyes like a laugh. “Did you ever patch things up with Molly?” he asks. “Is it true that she married the custodian? Obviously she had a thing for older guys, but the school janitor?” 

I nod. “That’s what I heard, too.”

I wish I could say: I know it’s true because I was at the wedding; she was beautiful and they were happy. Also, don’t put it like that, the school janitor, he has a name and here is what it is. 

What I can say is this: No, we never patched things up, me and Molly, me and Lila, me and that girlfriend from college who did always know about me, but I can see the elephants, now, without someone showing them to me. I pull back my hand from under Zev’s. I go home alone. I take out my phone as I walk and I write thank you back to my friend, who I’m sure knew I saw his ring, but wanted to remind me of the person she knows I’m trying to be.   




Nicole Haroutunian is the author of the short story collection Speed Dreaming (Little A, 2015) and a literary editor of the anthology SILENT BEACHES, UNTOLD STORIES: NEW YORK CITY’S FORGOTTEN WATERFRONT (Damiani, 2016). Her story “Youse” won the Center for Fiction’s Short Story Contest in 2013, and her work has appeared or is forthcoming in the Bennington Review, Joyland, Post Road, Vol. 1 Brooklyn, and Tin House’s Open Bar. She is an editor of the digital arts platform Underwater New York and co-founder of the reading series Halfway There. She has an MFA from Sarah Lawrence College and lives in Woodside, Queens. 


by Ellen Anderson Penno

The Things that Haunt Us


A man with only one leg, and by that I mean there was nothing on his left side beneath his pelvis, except his one-legged jeans, the hem removed and the opening sewn shut. 

The jeans covered a stump resting on the bicycle seat, and he rode it like a scooter with his remaining leg kicking along the paved path next to the river in the humid summer heat.  

It reminded me of the really old lady whose leg was amputated decades earlier and given to me like a very heavy gift in the operating room when I was an intern just after medical school.

A leg is surprisingly substantial, and all these years later as I watched this stranger pass, I once again felt the unexpected weight of it in both my arms. I remember awkwardly pleading, my eyes just above my surgical mask, silently asking the nursing staff what I was to do with this unwieldy, now disembodied leg. 

As the single-legged man rode by I felt the weight of his invisible leg.  

There was no back story to either encounter.  I was not able to follow-up with the elderly lady those decades past, and I had no dealings with the stranger today. It is one of my many hauntings; an occupational hazard for me, but one that countless humans face. 

After the single-legged man passed by, I told my friend about that earlier leg removed from the elderly lady. In the sharing, the haunting dissolved into a memory and the stranger with the bike looked happy as he zoomed along on his one good leg under the lush, green canopy of summer trees.



Ellen Anderson Penno earned a Graduate Certificate in Creative Writing from Humber College in 2017 and has attended the Yale Creative Writing and the Harvard Medical Writers’ workshops, among others.  She has had poetry accepted by PANK Magazine, and short non-fiction accepted by Bodega.  In addition, she has MD/MS degrees from University of Minnesota, and did her ophthalmology residency at the Mayo Clinic in Rochester, Minnesota. Dr. Anderson Penno writes and practices ophthalmology in Calgary, Alberta, and enjoys hiking, walking with her two dogs and daughters, and paddle boarding or kayaking on lakes and rivers.