by Jae Eason

Hangang River Park: Mangwon

Rain droplets paint the condensed windows
of bus 7019 as a monsoon shatters down. I am coming home
from the Han—kicked out from the storm heaving heavily against
my skin. Since childhood, I have been fixated on

water. Would allow waves to drag my feet from under me &
clasp me in their tides. Once, caught in the undertow,
my body stitched itself into the sea. No desperation to fight
back, I drifted along the coast until the water spat

me back ashore. Here, I feel too much. Every emotion I have
never had, now mazes ache beyond the limits of my
limbs. Before the storm broke, I was peering into the

darkness of the river, concerned all my love & good judgment
was soon to run dry. Searching for the reflection of
an answer, all that responded was the current untangling
soft ripples against the concrete bank. Since childhood,

I have been fixated on the possibilities of what ifs. What if I drink
as much water from this river as I can withstand, perhaps it’ll fill
all the spots of me that have gone absent
. When the sea adopted me

for those twenty minutes [now] too many years ago, I wondered the
same thing. Sometimes, I pretend this doesn’t hurt as much as
it does, but then I call out to the water and it reminds me.


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Jae Eason (she/they) is a poet currently based throughout the world. Their work can be found in Lolwe, Defunkt Magazine, Lit magazine, Santa Clara Review, and a few others. If they’re not up to all the normal things people usually do, they’re most likely having an existential crisis.

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by Peter Leight

The Problem Is I Have a Problem

               focusing on the destination,

turning one way
               then the other,
               turning and turning

               back, losing the antecedents before
I find the descendants,

               as far as the destination is concerned
nothing’s keeping it where it is,

                                                            not as far as I can see.

               The problem is
I have a problem focusing

                                                      on everything that’s happening,

               and every time it happens,

               and the time after that,
I often think I need to concentrate

                              when I’m already thinking about something else,

               lifting my head
and letting it drop down,
                                                  like a kind of call and response,

have you noticed the way there’s often more to say
               about something that’s less interesting?

               Putting in my earbuds
               and listening to Smashing
Pumpkins’ Destination Unknown,

               humming with my mouth closed,

as for the destination
               it’s not staying in the same place

                                                                                   as far as I can see,

               like a map that’s not even unfolded
in the first place,

it’s a problem when the antecedents disappear

               before the descendants
                                                            start to arrive,

it’s not a problem that’s improving for instance,

               one problem is
I take my problems with me

               as long as I’m focusing,

                                                            like a sensitive load I can’t put down,

               when I don’t know
               where I’m going
I tell myself I’m somewhere else

               to see if I’m wrong,

               the problem is I’m almost always wrong.

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Peter Leight lives in Amherst, Massachusetts. He has previously published poems in Paris Review, AGNI, Antioch Review, Beloit Poetry Journal, New World, Tupelo Quarterly, Matter, and other magazines.

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by Caits Meissner

It Is Possible to Be in Love and Be Bored of Each Others Faces

I used to watch Frasier and Niles bicker to decompress.
Sometimes we all need a little butter and salt on our veggies.

My love, my lover, he told me that he read in Vogue
that the TV show makes women feel very tired, his appeal

to encourage me away from television he deemed potentially
racist, and probably, let’s be honest, at least somewhat accurately.

I don’t even read magazines anymore! But he is right, some
jazzy flash is always trying to slay my attention to the present.

The only glimpse of clarity, what moves in my unconscious periphery.
I do wake up and try to eat like a giraffe: grass and leaves.

I don’t want to construct fences, I love inviting everyone in for tea,
but tea isn’t really for me, I’ve tried, I prefer coffee, lots of it,

and also I worry I am no longer immune to the fear of others, which
can destroy even the best of dreamers and I have not even begun to dream!

To peel aside the ego and peek from behind the mask is one thing.
To throw it in the trash compactor, well, that’s just futile.

I will not anytime ever be burying my notebook and shaving my head
in exchange for an orange robe, there are still things I want to share.

And to you, well, samesies. Do what you want, it’s the only good advice.
Offer your dreams upward, where one can only hope they expand

into clouds heavier than 100 elephants and burst, raining
back down on us as water for our gardens of potential.

I tell my love, my lover this plan and he says, you keep me alive.
We watch trees scream unintelligibly as they dance hard in the wind.

Notice that nowhere on my vision board is other people’s comfort.
This thing I’ve been taught as a woman, the desire to be liked above all,

is being handed a bomb, except no one sees the explosion, it happens
on the inside, causing all kinds of mysterious symptomatology.

When I forget who I am and try to be someone else, it always causes
a fight, and then my love, my lover, he says, where are the cameras?

This is your most dramatic role ever! You’ll win an Oscar!
Although when he forgets his lines the fight continues on and on.

Yes, my love, my lover is right to be frustrated by my permanent
vacation from reality, curled up inside this dusty American fantasy,

putting on the records and closing the door firmly over the two holes
on the front of my head, slipping into a book, where it’s safe.

My whole life I have skipped the books about war.
War poems bore me, I have gotten used to telling myself.

But that is a bold-faced lie. I don’t want to see myself inside them.
The truth is, I know it just as intimately, in a way, this is true.

I have discovered it on my own. Bored people make war.
Take it from me, I don’t want to admit it, but I do it all the time.

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Caits Meissner is a writer and multidisciplinary artist currently embodying a fictional character she hopes you'll meet soon. Stay in touch @getofftheinternetcaits.

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by Lily Parker

December

The dog is buried at the foot of the birdbath, only six inches deep because the first frost settled in last weekend and the ground is still too hard to go any further. After the funeral, the girl suggests they call her brother with the news. It was basically his dog; he had picked it out at the kill shelter and walked it every day before he left. Her father hesitates for a moment, and then scoffs, insisting they not upset the kid during exam season—they’re paying a king’s ransom for this school, colleges look at first year prep school grades, etc. Her mother nods and grips the stone edge of the birdbath: He’s too fragile to find out while he’s away, so far from us. She raises her hands and presses the fingers, white and bloodless, over her lips. The eyes focus on something directly in front of her, something no one else can see, but the girl can guess: it is her brother’s face—broken, uncomprehending—as he finally hears the news. And his body, breaking into a pile much smaller than himself, like a ceramic doll hit on the nose with a hammer.

Two weeks later, her parents must feel guilty, because instead of driving as a family to Union Station, they send her alone to pick up her brother. They had been slinking around the house, sheepish, like the dog used to do after eating deli meat off the counter.

To be honest, when the dog had died, she had felt sort of content. The event had, in a way, initiated her into adulthood. No one had ever died in their family before, and she often felt as if she was waiting for it to happen. At sixteen, she was too old to not have experienced death. It had happened to most of her friends: a grandparent here, an uncle there. So, this is it, she thought when she came down the stairs and saw her father bent over a limp mound of white curls on the living room floor. This is a huge part of life, and now I know what it feels like.

Maneuvering through D.C. traffic, she thinks about how she will broach the subject. Her little brother has always been moody, often falling into days-long bouts of grumpy, unexplained silence, but she will not sugarcoat the news, and she will not cry if he cries. He is the smarter one—he did, after all, get into the fancy boys school in upstate New York, while she’s still stuck at the public high school only accessible via the same grimy piss-yellow buses that her parents took in the eighties. But she is the one who is good in situations like this. Emotional situations.

Their father used to say, when one of them hurt or embarrassed themselves, It builds character. She wonders why he didn’t say it when the dog died.

If he had, this time, she would have agreed with him.

*

Her brother has been thinking about bone.

The sound it makes, the variety of sounds. The train is quiet, and no matter how badly he wants to sit in silence, his brain won’t let him. Phantom noises pop in and out of his ears—noises that the person sitting next to him, a young girl of maybe twelve, can’t hear. Bone, when it is forced into an unnatural position, bent almost to a breaking point, makes a noise even before it snaps. It is the sound of friction, of clothes on metal—of sliding down one of those tin playground slides that burn in the daylight. And then, when it breaks...oh, God, the sound. Not a clean little snap, but a messy, cacophonous break, like celery splitting: full of fibers, strands, holes. An orchestra. It hadn’t been at all what he expected.

Not that he had expected anything. He hadn’t planned anything. His face reddens as he stares out the window, digs his nails into his palms. The headmaster had called it a premeditated attack, but it sure hadn’t been premeditated on his part. Eds and Sully woke him up sometime around three in the morning on Wednesday, several hours after he had gone to bed in their shared triple. He was sleepy-eyed and delirious, still half-dreaming, but they clearly had not slept at all.

Hey, Eds said. Get up, you’re gonna come with us. 

Come where? he said.

We’re taking a field trip. To little Vicky’s dorm, Sully growled, his teeth flashing in the darkness as he knotted the laces on his left boot.

It seemed to be a senior tradition at Ingraham to single out one of the younger kids and collectively pick on him. Victor, who went to the junior school, was the skinniest, palest kid on campus, with ice-blue eyes and blonde hair that was thin and stringy like corn silk. Naturally, he was that year’s unlucky winner. Eds and Sully were only sophomores, and it was obvious how badly they wanted in with the seniors. He had seen the two of them, on several occasions, lingering on the border of the lawn where a particularly elite group of senior boys were known to spend their free period, lounging in the grass and vaping under cover of their hoodies. And he had heard the giddiness in their voices when they told him one morning how they snuck out after curfew the night before and made it into an off-campus party. Eds had laughed at him for sleeping so deeply that he hadn't even noticed their absence: We'll wake you up next time, he said.

For some reason, Eds and Sully had been kind; they had taken in the freshman from Buttfuck Nowhere as their friend, let him hang out with them at pep rallies and eat with them in the dining hall. And so, he followed them outside and across the square to Victor’s dorm at three in the morning. Sullenly, he followed Sully and Eds up the three flights of stairs. He didn’t know how they knew where Victor’s room was. The hallway seemed endless. He was groggy, and maybe that’s why he didn’t get that usual heaviness in his chest as they walked—the one that stifles his breathing when he grows anxious before a test, or when he’s running late to class. Eventually they stopped in front of a door, and when Sully grasped the knob, Victor's door swung right open. This made him hesitate for a moment—the sad fact that locking his door was not something Victor felt was necessary. Later, he would wonder whether Sully and Eds had known in advance that the door would be unlocked; if they chose Victor for his blind innocence. But he decided that this was not a question he necessarily wanted to know the answer to. Victor's bed was right against the wall, and he soon found himself helping Eds hold down the kid’s arms, Sully dragging him by the ankles out of his bed and down the hall.

But he didn’t plan anything. He wasn’t part of it. Wasn’t wasn’t wasn’t.

The letter says otherwise. The damned letter, printed above a large blood-red Ingraham masthead and signed in the headmaster’s grim handwriting. It’s in his backpack now, but folded up in the very back pocket, so he can pretend it doesn’t exist. He could study his parents’ signatures when he gets home, he could forge them and send it back, easy. But the letter is only part of it; the letter is a formality. His parents will get a call tomorrow night, regardless of what he decides to tell them beforehand. He considers unplugging the home phone, but his parents have cells, and surely Ingraham will try those next.

There are two sets of marble staircases in the junior dorm: one in the east wing and one in the west. Once out of the room, they moved towards the west wing, clumsily holding up Victor, who was really waking up now, making little noises and yelps and shaking his legs and arms. As Sully approached the end of the hall, Eds swung Victor’s head around to face the steps. The so-called “whole plan,” which Sully and Eds reported to the headmaster that night, was to disorient Victor—to leave him out in the cold in his pajamas, force him to walk back inside on his own. But instead what happened was that halfway down the first flight of steps, Sully lost his grip on Victor’s ankles and he and Eds fell into each other under Victor’s weight and Victor fell head-first the rest of the way down.

The letter is, in his opinion, a complete exaggeration and overstatement; he hadn’t killed the kid, for God’s sake. He's still in the hospital, living and breathing, well on his way to recovery in time for the start of January classes in three weeks.

He and Eds and Sully are bruised up, too—they had all fallen. They had all been hurt.

He could talk to his sister. Maybe she’d help him break the news to their parents. Would she do that for him? Or would she be disgusted? He’s been debating this since Thursday morning, when they were all three finally let back to their room.

Once, in elementary school, his sister shoved their family dog for slobbering on her shirt, and accidentally broke his paw. The incident upset all of them except for his sister, who plastered a fierce mask of stoicism across her face for the whole ride to the vet and only cried once she saw the little cast they had to put on the dog’s leg. But after a few days, he wasn’t really mad at her anymore, and everyone forgot that she was the reason the dog walked around with a cast. Is that the same thing? It was just a dog, and his sister was only a kid.

But technically he’s still a kid, too.

Sully and Eds were clearly closer with each other than with him. The headmaster took note of that, he’s sure, when they were all gathered in the office that night. Obviously he was just dragged into it because he rooms with them.

A text from his sister: i’ll be there in twenty. train still on time? 

This is slightly relieving. He can speak to her first, gauge her reaction. Finalize his plan.

The girl next to him yanks a stick of gum from her bag. He wonders who her parents are, to let such a young kid ride an interstate Amtrak alone. The gum, pink, slides into her mouth, leaves a little trace of white powder on her fingertips.

After Victor was taken to the hospital, he had felt something jolt in him, something that made him feel slightly off-kilter and slightly older. Some kind of buzz, powerful and alive but vaguely rotten. He liked it, but he knew he shouldn’t. Maybe, he thinks, that’s what growing up feels like.

In front of him, the seat back is covered in swirly geometric patterns like the ones in the bus he and his sister used to ride to school together, and he stares at it as the gum snaps and pops between the girl’s teeth. Pop. Pop. The sound is starting to get on his nerves.

His phone buzzes again. He closes his eyes, allows his fingers to curl into fists.

                         Pop.                 Pop.                             Pop.

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Lily Parker is a writer and New York transplant whose work has previously appeared in The Saturday Evening Post and Echoes, the literary magazine of Barnard College. She has received awards for prose and playwriting, and lives in Manhattan with her cat Midge. You can find her at lilykparker.com.

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by Katie Fustich

Character Witness

I wished I had worn a different dress. In the warped mirror of the courthouse bathroom, I looked bulbous and awkward, like an adult trying to fit into castoffs from a children’s beauty pageant. But according to my father’s lawyer, I looked sweet and reliable. And that, also according to my father’s lawyer, was exactly what my father needed. I brushed a wrinkle out of the floral fabric and headed back into the hallway.

"There you are," said the lawyer. Paul was his name. "I’ve been looking everywhere for you. Go talk to your dad, will you? He’s not doing so good."

"Yeah well," I shrugged. "I probably wouldn’t be doing so good either if I was being sued for violently raping my third wife."

Paul’s pupil’s constricted and his voice slipped into a hiss.

"Hey, none of that," he said.

A group of polished looking men and women in suits passed us and Paul’s face instantly morphed into a relaxed smile. "Good morning Bryan, good morning Charlotte," he said.

They smiled back.

As soon as they had passed, Paul grabbed my upper arm and steered me to a corner.

"I can’t believe I’m even having this conversation," he said. "Do you really want to see your dad go to jail? Is that what you want? Because if you get up on the stand today with that attitude, that’s exactly what’s going to happen."

"Maybe he should be in jail," I said. I scraped the sole of my sensible heel against the polished stone floor and a piercing squeak filled the hallway.

"Stop that," Paul said, swatting the air. "And stop with this pity party. We’ve been practicing for weeks, and today is your one shot. Now go to talk to your dad."

"Got it," I said, mostly so Paul would loosen the sweaty fingers that were still gripping my bicep.

"At least you’re wearing the dress we talked about," Paul said.

I found my father sitting alone at a table in the courthouse cafeteria, hunched over a cup of coffee that was no doubt mostly milk and sugar. He always wore madras shirts and cargo shorts, but today he wore a navy blue suit. It looked wrong—it made him look like he was in trouble. I avoided him for a few more minutes by digging through my purse for quarters and buying a bag of chips from one of the vending machines.

“Hi,” I said, taking a seat across from him.

My father looked up from his coffee and a weak smile spread across his otherwise gray face.

“Baby," he said. "Thank you so much for being here today. I couldn’t do this without you.” He reached a calloused hand across the table and, without thinking, I recoiled.

“Sorry,” I said quickly. “Don’t want you to get chip grease on your suit,” I said.

“Sure.” He half-smiled, clearly not believing me, but trying to.

A man sitting at the next table over cleared his throat and shifted in his seat. When I looked over at him, he looked away quickly. I wondered if he recognized my father. His face had been on the news enough times in recent weeks that it was possible.

“Your dress looks nice,” my father said.

“Paul says you’re sad,” I said.

“Well, it’s not easy when the world is out to get you. But soon this witch hunt will be over and we can all go home, right?”

“Right,” I said.

I was sure the man at the next table was still listening to us. He wasn’t dressed like a lawyer, and he was eating his turkey sandwich with great deliberation. I wondered if he could be a reporter, eavesdropping on our conversation, already crafting the headline in his head. Alleged rapist shares tender moment with darling daughter. 

I was so wrapped up in this side plot that I didn’t notice my father’s hand reaching out again and, this time, successfully seizing mine. I flinched as his palm closed around my fingers.

“It’s just you and me,” he said. “In this big, bad world, we only have each other and no one else.”

His thumb rubbed across the top of my hand hard enough to wrinkle my skin.

“I have to pee,” I said.

“Do good for me today,” my father called after me.

I didn’t actually have to pee, I just needed to be alone. I returned to the courthouse bathroom. Anna was standing in front of the sink, furiously scrubbing at a large brown stain on her white blouse. Anna was my father’s third wife, the one suing him. The one I was being asked to testify against. She saw me walk in and froze. Her face was puffy and her makeup looked too thick.

“I’m sorry,” she said. She returned to scrubbing even harder than before. “I’ll just be a minute.”

“It’s okay,” I said, feeling stupid as soon as I said it.

I gathered a wad of fresh paper towels and doused them with soap and cold water.

“Here,” I said. I slowly drew close to her and gestured with my paper towel towards her stain. It covered almost the entirety of her shirt. “Let me help.”

Anna started to say something, but decided against it. She let me begin to scrub at a patch of discoloration near the hem.

"I’ve just been," she started and then swallowed hard. "I’ve just been a little shaky lately is all." I nodded and continued working.

I didn’t know Anna well, honestly. I knew she was just a few years older than me and had worked at a casino before my father asked her to marry him after three weeks of dating. She seemed simple and quiet. The type of person who might be able to get a bird to land on her finger. Anna had sent me a birthday card once. My father didn’t like that. He made me throw the card away in front of him.

“I’m just a simple man,” he had said. “I don’t like when the people in my life try to make everything so complicated.” So I threw the card away and didn’t ask about her anymore.

“It’s no use,” Anna said. “This isn’t doing any good.”

I stepped back from the shirt and saw she was right. What was once a large brown stain was now an even larger wet spot, covered with tiny pills of gray paper towel.

“It’s okay,” Anna shrugged. Really. “Thank you." She looked up at me and tried to smile, but her lips were shaking.

I stood there, useless, while she steadied herself on the edge of the sink. I thought if I were her, I would hate me. And I would be right.

“I have an idea,” I said. I reached for the zipper on the side of my dress and pulled.

“What are you doing?”

“Give me your shirt,” I said. I pulled the dress up over my head and offered it in Anna’s direction. She was smaller than me by at least a size. I knew it would fit.

Anna looked into my face, swollen eyes searching for whether or not this was a joke. She began undoing the buttons on her stained blouse. Slowly, at first, and then quickly, as though there was a time limit to the offer.

She took the dress from my hands and pulled it over her head. On me it had looked childish, but on her it looked like something a fashionable housewife might wear to church.

“You look great,” I said.

“Thank you, Bonnie.” Anna sighed with something like relief and left the bathroom.

I stood alone in front of the warped mirror and tugged on my outfit. I buttoned up the damp shirt and I could tell no matter how I adjusted it, it wasn’t going to fit right. The buttons gaped, revealing a hint of my worn-out bra, and the brown stain, starting to dry slightly, looked at best like a grotesque artistic statement.

Yes, I thought. This is much better.



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Katie Fustich is a writer, artist, and movement lawyer based in Massachusetts. You can find more of her work at katiefustich.com.

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