by Stephanie Liang

Conversations I’ll Never Have with My Father

When you were young, did you dream of America?

When I was young, I dreamt of being American

Did your dreams feel like a black sky?

A 20-pound bag of rice and a dirt road

Did they crystallize on the leaves of a lotus root?

You’d close your eyes as I played the piano

Did you feel guilty leaving your family behind?

My aunt cried at the airport as my mom was returning to America

Did you feel like you left yourself behind?

I am so bloated by my many wants

How did you swallow your fear of leaving?

How do I stop from wanting?

Did you think you’d return?

When your mother died, you excused yourself from the table

What gifts did you want to bring to your family?

Were you able to pay off your debts?

Did the rows and rows of different flavored yogurt shock you?

America was nothing like you imagined

How often did you long for your mother?

I am nothing like you imagined

If you had more time, would you have climbed the highest peak in China?

My mom and I silently watching the sunrise at Diamond Head

When you knew you were dying,

Was there a quiet clearing inside you?


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Stephanie is a Chinese-American poet whose work has been published in MASKS, Rainy Day Magazine, and Runestone. She will be starting her MFA at the University of Minnesota in the fall, and she currently lives and works in New York.

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by Maisie Kirn

Mule Deer

Mule deer don’t come into town much.
But today, six stand in Mrs. Curtis’ front yard
on the north side of town across the tracks
so I stop.

I am walking to a holiday party where I will talk
with seasonal friends
the vacation home set who come a few weekends a year
to take pictures of our signs
with warnings like ‘Bear Lives in Area!
whole elk carcasses in truck beds
at the Conoco during hunting season
the mobile home park beside the high school
framed by the highest peak in the Absarokas,
pleading.

They have never faced Paradise Valley during a storm
held their coats like parachutes around their bodies
and waited for the katabatic winds
to lift them off the ground.
They have never been eight-years-old
at Sax & Fryer Books and held out their hand in ritual
toward the women working the register
who they know will place a handful of warm M&Ms into their palm.

Out of the corner of my left eye,
a field we slept in
the first warm night of June
and awoke at dawn with cottonwood fluff
pressed like eiderdown to our faces.

The mule deer pull at the grass.
Take a picture, they say,
you will never safely cross 89 South
by memory on a busy summer day,
or know the bends in the Yellowstone River
where the water pools clean and gentle
for a drink.

What belongs to you
like a forgotten flower bed
to six mule deer in the quiet December cold?

Like the plain facts and hiding places
of a small railroad town
to its aging children?

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Maisie is a sometimes-writer born and raised in Livingston, Montana. Her writing is concerned with her changing home state, its people, and wilderness. A graduate of Harvard University, she received the Le Baron Briggs English Prize and Harvard Monthly Prize for her thesis, 'Driving Wise River' a collection of non-fiction essays spanning her girlhood in the West.

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by Connie Corzilius

Fat Nap

Mason was working a double shift because one of his employees had quit.

            fyi tomorrow = my last day Luna had texted him.

            You’re giving me one day’s notice? Seriously? Three dots and then nothing for five minutes. Look just don’t bother coming in tomorrow ok? Goodbye and good luck.

            On the one hand, it was a loss because she had been there for two years, the longest tenure among his ragtag group of baristas and bartenders. On the other hand, she was annoying as fuck. She would neglect some task that she was supposed to take care of, like emptying the knockbox, and instead she’d do something totally random, like polishing the frothing pitcher. “Look how shiny it is, isn’t it awesome?” like a kindergarten kid who’d organized her crayons ROY-G-BIV and wanted her due. “Oh, awesome,” he wanted to say. “Who the fuck asked you to do that? Maybe go clean the toilet instead,” because Shit Boy—the regular who came in every day, swilled two cappuccinos, then took a massive dump in the men’s room—had just departed, whistling.

            The turnover was brutal, which wasn’t his fault. Baristas elsewhere in the city could make as much as 12 bucks an hour, while here they started at minimum plus tips, $7.25 an hour in this crappy right-to-work state, but he couldn’t get the owner, Andre, to pony up. Instead, they ground through workers like coffee beans. College students. Food service flunkies stitching several jobs together to keep themselves warm. Musicians like himself who needed a steady gig to fund their enthusiasms. He’d cycled through his bandmates and others in the local scene—fun to hang with, but irresponsible, for the most part, and apt to call out at the last minute—and yet he remained, the general manager of Siesta Gordo Coffee, well aware that 1) Siesta Gordo translated to Fat Nap, which was as ludicrous as it was unaccountable and probably offensive, and 2) his responsibilities far exceeded his remuneration and what marginal satisfaction he might enjoy in his position of power.

            Luna was just a warm body. He wasn’t going to miss her, per se, and certainly not her dipshit boyfriend, who would park himself at a table and stare at her while she was going about her work in her slow, substandard way. “Hey, maybe buy something? Yeah, you.” Mason could not bear to use his name, which was, no lie, “Eclipse,” and he felt sure it was self-applied, because what were the chances he’d have parents that cruel and also that he’d hook up with Luna?

            Eclipse never bought anything; challenged, he’d switch from staring at Luna to staring at him, and every once in a while Mason would return his stare in silence, although take your Mexican wedding shirt and your shitty blond dreads someplace else is what he hoped to conveyPoser. Cultural appropriator. He did not understand why it was okay for pasty white Eclipse to wear a Mexican wedding shirt and dreads when he, Mason, was castigated for breaking into a reggae jam in a rare blip of joy during a gig last summer, and was consequently still, still referred to as “Dude-Bro” by that midriff baring clutch of pod people who made it their business to identify and ostracize the politically incorrect.

            To be clear, Mason was not a dude-bro. He had tried to ignore it, but, you know, it hurt.

            The shop was always down an employee or two, and he was always balancing the need to correct his existing workers against the likelihood that they would book if he was too harsh, and so he found himself wheedling and appeasing, which was not in his nature. It took a toll. When he punched a hole in the drywall, he made sure to do it in a restroom so he could blame it on the homeless, er, unhoused, who, despite the fact that Fat Nap was in a gentrified area of the city, were a constant pain in his ass. Their graffeces (a term he thought he’d coined and for which he was inordinately proud until he found it on Urban Dictionary, no doubt added by one of his beleaguered brethren) adorned the restroom walls, which had to be scrubbed with bleach, a job so lowly and vile that only the general manager would undertake it.

            So much for power.

            His girlfriend kept telling him he deserved more, and why didn’t he look for another job, one where the owner appreciated his willingness to meet the walk-in repair guy at odd hours and his ability to troubleshoot the ice machine and his just all-around unearned dedication to Fat Nap while also hating absolutely everything about it.

            Why didn’t he just leave?

            It was a slow night. They’d added bar service about six weeks ago, but it hadn’t caught on yet. There were two people studying at the café tables who had been there for a couple hours, which was cool. He remembered bribing himself in a similar fashion—if I go study I’ll treat myself to a dirty chai, if I go study maybe I’ll buy a muffin—from his short, dispiriting stint in college. Now their coffee drinks, which had started out hot and comforting, were cold and ashy, like their faces in the light of the Edison bulbs. It looked like they’d be packing up and leaving soon. Maybe he’d close early.

            “Dude, I don’t know what to do about Marcy,” his friend and ex-bandmate Ray said. Mason was behind the bar, and Ray was hanging off a barstool, wearing shorts and a hoodie, though it was 45 degrees outside. He wasn’t being macho, he was just a big guy who was always hot, the sort of guy who generated both heat and nicknames effortlessly. Stinky Ray was one, because personal hygiene was not uppermost on Ray’s to-do list. Ray Penis was another. Long story; don’t get him started.

            “What do you want to do about Marcy?” he said.

            “I sense she’s about to dump my ass,” he said.

            “And that’s a problem?” He did not like Marcy, as Ray well knew.

            “Well, it won’t feel good, you know? Being dumped does not feel good.”

            “True, but on the other hand…” He bent over to rummage in the cooler for some ice.

            “On the other hand, what?”

            “On the other hand, you won’t have to listen to her drone on about sex worker rights.” Marcy was a stripper, but not your average kind of stripper, because she had only started stripping to organize the workers. It wasn’t going very well, as most of the other strippers didn’t want the hassle and had pretty much told Marcy to STFU, but she could hold forth for hours on the subject, and did. It was the first thing she told people about herself, her lip jutting out like she was spoiling for a fight.

            Also, Marcy did not like Ray’s 16-year-old dachshund, Moses, who was—no way around it—also stinky, and she wanted Ray to have him put down.

            Also also, Marcy was one of the pod people who called Mason dude-bro.

            The case against Marcy was iron-clad, in Mason’s opinion. “And what about Moses? Moses is a righteous dog.”

            “Yeah. Seriously. Yeah, he is.”

            “I don’t know, man. That’s just cold.”

            Ray pulled out his vaping pen, which glittered in the dystopian bar light. “You got time to take a break? Chill out?”

            “Do I look like I can take a break? It’s just me here closing tonight.”

            “Right, I forgot. So, can we—?” He spun the weed pen around.

            “Play spin the bottle? You know I love you, dude, but you can’t vape here. You can go back to the office if you want, though.” Mason slid the keys across the bar to him.

            “Cool. Then I’ll help you close. Still got my chops.”

            Ray had worked at Fat Nap for five minutes three years ago and his “chops” were rudimentary, at best, but Mason appreciated the offer. “Later.”

            Two minutes after Ray left, Luna and Eclipse came in. She was wearing a jean jacket over some kind of pink tutu-looking dress, torn black tights, and her shitkickers, the kind of boots every girl he knew, including his girlfriend, wore. The juxtaposition was supposed to be ironic or something.

            “You know I won’t have your paycheck for another week,” he said.

            “She’s here to claim what’s rightfully hers, man,” Eclipse said, so loud the students looked up from their notes.

            “What the fuck are you talking about? Are you high?”

            “My intellectual property, that’s what he’s talking about.” Luna threw her head back and glared at him. “Why don’t you listen for a change. You might learn something.”

            “Are you quoting The Big Lebowski at me?”

            “What?”

            “Yeah, asshole, her intellectual property!” Eclipse shouted, taking a clumsy step toward the bar. Definitely altered.

            Mason was perplexed and not a little pissed by their sudden appearance, but after six years dealing with testosterone cases and tweakers, he recognized a certain something in the air, a thread of chaotic energy that told him to dial it down. “I’m not sure what you’re talking about, guys. Maybe fill me in?”

            “This is what I’m talking about,” Luna said, grabbing a stack of drink menus from one end of the bar. “Here, E, take these. Where’s the rest of my menus?” She kicked a stool out of her way, and it screeched across the concrete before tipping over and crashing to the floor. “Where are they, Mason,” she said as she lunged across the bar, one combat boot on tiptoe, the other dangling.

            Out of the corner of his eye, Mason saw the students quickly gather their books like nuh-uh, they were not hanging around to see what happened.

            “Wait—you want the drink menus?”

            “I invented those cocktails. didThey’re my intellectual property.” She was wallowing on the bar now like a toddler in tulle, seizing the menus that were stacked on the rail and tossing them behind her like frisbees.

            “Fuckin’ A,” Eclipse said.

            Intellectual property. He couldn’t believe he had to deal with these, these morons. Or wait—these what, fools? Dolts?  Goddamn it, see what Marcy had done? She’d gotten into his head.

            “Strictly speaking, Luna, you invented two of those drinks. Two. Out of ten.”

            “Fuck you, man!” Eclipse said, bouncing like some puppet ninja, dreads flying. (And screw it if you weren’t supposed to say ninja.) “Grab that raspberry syrup, Luna. Go on, take it. Hand me the menus, then round up those syrups.”

            “Also,” Mason continued with ostentatious sanity, “even if you had invented all ten drinks, you don’t own, like, the menus. You see that, right? Andre had them printed. And you certainly don’t own the drink syrups. I mean, what the fuck.”

            “She does own the menus and she will take the damn raspberry and the elderflower, too. What are you, dude, some kind of narc?”

             “Listen,” Mason said, raising his palms in the universal gesture of surrender, “take it all, I don’t care. But just know that there are cameras here, right? Cameras? Remember?” He pointed to the security cameras Andre had mounted in the corners after that homeless—er, unhoused—guy had thrown a chair through the plate glass window. Now, that was a story.

            “Cameras? You think I give a rat’s ass about some fucking cameras? What, are the police gonna come and stop us from claiming property to which she is entitled?”

            “I mean…”

             Eclipse fumbled around in the pocket of his raggedy jeans and pulled out a knife.

            “Whoa. Whoa there. Hold up. Hold up.”

            “Baby, don’t do that. Let’s just get the stuff and get out of here,” Luna said. She had picked up the menus off the floor and was stuffing syrup bottles in her jacket pockets.

            Mason backed up a few steps, then lifted his cell phone where the lunatic could see it. “Put the knife away, Eclipse, come on. This is crazy. I’m calling the cops, man.” It was a dinky knife, but still.

            He had no idea how Eclipse managed to vault the bar, but the next thing Mason knew, he was close enough to smell him, musty closet with a base note of weed.

            Luna fled, ever loyal, scattering menus as she went. “Hey, I hope you and your—your fucking pineapple chipotle syrup are happy together, you fucking bitch!” Mason yelled after her. “Goddamn it, get away from me, freak.”

            Mason sidestepped Eclipse as he lunged with his tiny knife.   

            “What the hell is going on?” Ray said, emerging from the back, his mouth full of scone, the crumbles spilling down his beard. “Jesus, where’d you get that pussy knife?”

            And just like that, Eclipse turned and swung at Ray with his knife hand, sticking the blade deep in his forearm as he raised it to cover his face. Ray bellowed like a grizzly bear awakened untimely as Mason rushed Eclipse from behind, using his momentum to push him through the swinging doors to the kitchen. “Walk-in!” Mason shouted, as Eclipse stumbled, giving Ray just enough time to open the latch, and together—Mason dragging him by the shirt and Ray shoving him violently—they threw him into the walk-in cooler.

            Mason grabbed the broom that was propped against the wall and slid the handle longways through the latch. “Ok. Ok. He’s not going anywhere. Whew. Ok.”

            “Motherfucker,” Ray said, looking at his arm, which was bleeding liberally. “Noisy bastard, isn’t he?” They could hear Eclipse yelling on the other side of the stainless-steel panel. “Tell you what—coolest that dick has ever been.”

            “Nah, not that cool,” Mason said, catching his breath. “As it turns out.”

            “What, the walk-in is broken again? Didn’t Andre say he was buying a new one? Like, years ago?”

            “He swears he is every time he has it repaired, which is every other week, pretty much. He stopped by this afternoon and jerry-rigged some fix, but whatever he did isn’t working very well. Here, man, let me wrap that arm up while we wait for the police.”

            Mason fetched the first aid kit and they left Eclipse to his screaming and pounding.

            When the police came twenty minutes later, Mason answered their questions as best he could. Yes, he had always had a decent working relationship with Luna. No, he had no idea why she quit or what caused her and her boyfriend to go apeshit. Yes, the owner was on his way. Yes, he’d be happy to show them to the walk-in.

            The two officers told him to stand back while they assembled, guns drawn, ready to deal with the situation, but when the broom clattered to the tile and they released the latch, he was close enough to see Eclipse curled up on the concrete floor next to Andre’s cheap, temporary fix, a plastic bin of dry ice melting in the tepid air. “What the hell?” one of the officers said, as he first nudged Eclipse with the toe of his black shoe and then knelt carefully beside him.

            Eclipse’s cheeks were pink and he looked remarkably healthy for someone who turned out to be dead. 

            “Shit,” Mason said.

            A flurry of activity followed. One officer called an ambulance. The other ordered him to sit down at one table and Ray at another, and they were warned not to confer. He felt a little dazed at everything that had gone down, but a thought nosed the tent flap of his brain and pushed its way in.

            One time when he’d been especially fed up with Fat Nap, he’d taken an online food safety class offered by the local Restaurant Association in an effort to up his skills and obtain the certification he hoped would catapult him into a better job, and though he’d never left, and though he’d probably forgotten eighty percent of the course content, and though the memory, when he was in the wrong frame of mind, made him feel bad about his pathetic, striving self, he remembered one fact: Never, ever use dry ice in a walk-in freezer. 


            When the cops were done questioning him, Mason sat by the front door, smoking. He wondered why his hands were shaking. He tried to tell himself that at least it would make a good story—he and Ray the dynamic duo, unwittingly consigning a jackass to death by asphyxiation—just as he had told himself that at least it would make a good story when he had caught that skeezy guy stealing his catalytic converter on the street outside the shop and chased him till embarrassment and his smoker’s lungs overtook him, maybe a block. He had worked hard on that one, telling and embellishing and refining it till it became a “bit” complete with him shaking his fist and yelling come back, motherfucker! like some cartoon character in hot pursuit all the way to the MARTA station. Meanwhile, his girlfriend rolled her eyes and muttered how many times, Mason, how many times? But hey, it made a good story, right?

            Yeah, Fat Nap was nothing if not a good story.

            He watched the EMTs carry Eclipse’s body out the door. Poor, sad bastard.

            He watched the forensic guy don a mask and seal off the walk-in.

            He watched another EMT lead Ray away to be stitched up.

            He watched as the owner logged into his laptop so the police could examine the surveillance footage. They looked bored.

            Why don’t I just leave? he thought. Now’s as good a time as any to just walk out and never look back. Come on, man, go! He put his cigarette out and sighed.

            And then he went to the utility closet and got the brush, a bucket, and the pink, gallon size industrial cleanser.

            The toilet wasn’t going to clean itself.

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Connie Corzilius grew up in Illinois and currently lives in Augusta, Georgia with her husband and pit bull, Mel. Her work is forthcoming in JewishFiction.net and has appeared in Another Chicago Magazine, Calyx, Mississippi Review, Big Muddy, Stonecoast Review, and elsewhere. A winner of the Women's National Book Association Short Fiction Award, she’s also been nominated for a Pushcart Prize and the Million Writers Award. She is a graduate of the Iowa Writers' Workshop, though that was so long ago, she can scarcely remember.

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by Lyz Mancini

Thumbprint

It is non-negotiable that the produce be perfect—the Sterling family insists on it. When I’m not pushing my fingers into ripe peaches at Whole Foods or elbowing my way to the just unpacked English cucumbers, I am staining my hands with the sun-ripened raspberries from their Hamptons weekend home’s backyard garden.

Preheat the oven to 350 degrees. Line a baking sheet with parchment paper. 

Desserts are naughty, worthy of excited whispers, and important to the Sterlings—to Mr. Sterling, Mrs. Sterling, and little Lily and Wolfson. But the ingredients are to be minimal, whole, and Goop-levels of healthy.

In a medium bowl, add 1 cup creamy peanut butter and ½ cup maple syrup. Mix the wet ingredients together until fully combined.

Eighteen-hour days and tucked into a clean twin-sized bed in the back at night, well after the spritzes are drained and the firefly let out from their Mason jars, I am their intimate co-conspirator.

While I keep them well-fed with in-season must-haves, I hear everything around me. From the sweet whispers to Lily as the nanny tugs her hair into pigtails, to the secrets that swirl through families like honey dripped into fresh mint tea.

Add ½ cup oat flour to the peanut butter mixture and stir until mixed together. 

I know Mrs. Sterling hates her sister, and only invites her to Thanksgiving because she serves both the best wine and as a buffer between the punctuated moments of tension when Mr. Sterling comments on the tackiness of the tablecloth. Mrs. Sterling dislikes, however, the way her sister sneaks the children Jolly Ranchers—all of that Red Dye 40.

Using a small cookie scoop or spoon, roll the cookie dough into 1-inch balls. Place on the prepared baking sheet with space between each cookie. You’ll end up with about 10 cookies. 

I know that the Sterlings paid a little something extra to get Wolfson into Dalton, and how they may have fudged the children’s proof of vaccination last August. They need to know every molecule that enters their children’s bodies, from shots to shellfish. My interview process had been exhaustive, the questions drowning in minutia. Did I know the correct temperature duck breast must be? Was I aware that agave syrup was a cancer? Somehow a background check evaded them. So much they never found because they didn’t peek into the proper corners. And so I collect their shiny secrets, magpie-style.

Using your thumb or the back of a small spoon, make a small indent on the balls of dough. Add 1 teaspoon of raspberry preserves to the center of each cookie. 

I know that two February’s ago, in a pristine blizzard, Mr. Sterling offered me double my rate to rent a car and leave two plates of skirt steak, fingerling potatoes, and asparagus in the chef’s fridge. I was to then drive back. A casual glance at Mrs. Sterling’s Instagram feed showed her skiing with the kids in Aspen.

Bake for 10-12 minutes, or until the edges of the peanut butter cookie are set. 

But maybe that’s all okay. Because Lily looks nothing like her father.

Leave the cookies on the baking sheet to cool for 5 minutes, then transfer to the cooling rack. 

Parts of me are everywhere in this house. My thumbprints are just the beginning. Sweat from my forehead I wipe with my hand, my tinted sunscreen streaks dishcloths I throw into the washer at the end of each day. Blood from microplaning fennel audaciously, the jammy drops that ruined my favorite jeans and colored their Italian tile.

I’m everywhere and nowhere—a closed mouth and emailed menus 4-5 days before my bright-faced arrival. A ghost who keeps them fed, changes their mind about cilantro and who knows everything. I’m paid well. I wait to bring out their shiny things. They’re nice.

They’re nice because they know I know.

Once cookies are cool, enjoy.

Arranging all ten thumbprint cookies on a stoneware ceramic plate (tasteful, austere), I serve them next to iced glasses of basil lemonade out by the pool.

I smile.

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Lyz Mancini is a writer living in Catskill, NY. She is a beauty copywriter for brands like MAC Cosmetics and Clinique, and her writing has appeared in Slate, Catapult, Salty, Shortwave Magazine, Vautrin, and more. She is a Tin House Winter Workshop and Pitch Wars alum and was nominated for a 2022 Pushcart Prize.

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by Lorenza Perelli

Waiting

I had a lot of time as a child. I grew up in time passing slowly. During the summers out of school, at my grandparents’ house in Rimini, I lived in a lot of waiting: for something to happen, to arrive, to leave, to decide, to take me. There was so much of it, that most of my day happened in the soft and supportive space of the meantime, in between this or that. In the summer, between twelve and three, we had to wait when the sun was too hot to go out. At the beach, from five to seven when the water was too cold, grandpa had to talk to somebody, or we had to digest before swimming. After nine pm, I waited for endless hours before I was tired and asleep. For as much as I knew, I was young as long as I waited.

Those long summer hours of waiting, drifting into one another, sometimes with a rhythmic precision, were full of time to live. When we stayed at home in the morning, the three hours after lunch were so especially empty that they led to rebellion. In the hot living room, still shaded with curtains, my sisters and I pretended to follow the afternoon show until grandpa fell asleep on his chair. Soon after, upon a nod, we sprang to action changing channels carefully on the TV next to him. My sisters and I pushed for noise: Starsky and Hutch, Charlie's Angels, or the anime. The entertainment soon started. Babes dueling in yellow and blue uniforms, dramatic watery eyes, ruffling dust from screeching cars, young athletic women and a chubby man on the phone with a distant voice. All of this until his snoring was over, on that one channel.  

If we went to the beach in the morning, at noon I waited for three o’clock to come. In the company of my liquorice stick lemon ice cream, I paused under the umbrella staring at the family next to me. A father reading the newspaper with a straw Panama hat smelled of bronzing coconut oil, while two girls played alone in the shade of the umbrella. A pair of blue plastic slippers with white stripes were parked under his chair, below the family clothes, hanging soulless from the rail of the umbrella, catching the hot humid breeze. 


When I became a teenager, waiting became “wasting my time,” as my parents called it. By then I had developed a natural inclination for laying my corporeal dough on the featherly bed of an empty afternoon. I treasured the multiple dimensions of doing nothing in particular, listening to the hours passing while the others were out. I spent many afternoons during high school at one of my friends’ houses, without homework to tether me, delaying the plans of growing up that life had for me. But even that was never a waste as I saw it. I had friends because I had time to spend with them. Most afternoons, I would meet my friend Elisa after school, where two other friends soon joined us. I would open my drawing book and doodle with a pen until dinner time, while discussing the pressing matter of the world: the nuclear threat, the exotic cowboy look of Ronald Regan, and the Depeche Mode. My teenage life became populated in the vacuum of time, as precise as an equation. In my constant state of vagueness, I encountered my creativity and nourished intuitive ideas.


By the end of high school, I had a lot of training in the art of doing nothing in particular. When I was almost 18, my grandpa was dying. Grandma called the ambulance on her very sick man, delaying his departure for two more painful years, the last of which was spent in a crowded dormitory for patients in a vegetative state. I waited long hours by his bed, in a very silent room full of others. I stared at the ceiling or looked around in circles, like I was doing yoga with my thoughts. After a while, I was able to take off from that bed, smelling of bleach and cleaning supplies, and enter inside of myself, like a wise older person. 

Unnoticed, I drew on the margin of a magazine. The number three is the base of reality, the number two opens a dynamic on the middle ground, the one is the perfect. Three and two are multiple of unit one, which is always there. I thought I could finally trace the secret dynamic of the universe. But I would have to wait one or two decades more to touch the depth of that fourth dimension, until I became a mother. I had to wait for my child to grow, inch by inch. With him, when he was just a hopeless bundle, my experience of time and space first accelerated, then compressed, and finally exploded. Waiting was about to become something bigger than I thought it was. Beyond my skills to escape between the cracks of some solid facts, after I trained living in the meantime, I discovered the entrance to an alternative reality hiding in plain sight.

At home in Milano, the first night I took our first born son home was an initiation. My husband went to bed late; he tried to keep me company as much as he could, but when he just couldn’t keep his eyes open any longer, he collapsed in bed. I understood that. I wish I could have done it. Instead, I found myself alone, a situation, hidden beyond the celebrations and excitement, that I had not expected when I took my son from the hospital. The house felt totally silent, enough to feel the emptiness of the rest of the city. I stood waiting. I felt as if only I were left out of the normal order of things. My arms moved left and right to put him to sleep. He would go to sleep before me. I couldn’t say I was “busy,” as for any other usual activity. I wasn’t moving much. But in the three feet of my space, I was doing a lot, moment by moment, while waiting for him to fall asleep. My son and I moved to an invisible new floor inside the same living room or kitchen, next to where the others appeared to live. All of my doing made sense to us inside that different time and space, even if it didn’t appear to be much to others. Swinging my arms, holding him, walking around, putting him down, waiting some more, collapsing in my bed, and waking up again. More than doing, I was rotating around. That was my new circular motion generated by my body latching to his. And there was a lot of waiting in there, until sunrise, while hoping for myself to be in bed and rest. 

Since that day of our dual initiation, when we recognized each other as mother and son, my life has never been mine alone. I have become like one of those figures in the old paintings, with small creatures attached and around my body. When I was a child, I thought that my time was mine. That initial continuum that I thought was natural, was instead given by somebody else who waited for me, outside doors, at school, in the kitchen, downstairs, or in the car. I thought I was waiting for them, while young, but I had to discover that they had also been waiting for me, guarding and securing the time of my existence. As for them, for me now, inside my new circular shape, other people are living, with their own time, their own body. Like it is told in biology class, I am a living organism that has multiplied, generating other time and space within me. Waiting has, literally, come around, and it had disclosed its secret to me: that one can always fly around when confined in a small space, that there is much to enjoy in the richness of an empty hour, and, especially, that it is possible to accept a fact as a fact but not as a limit. 


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This is Lorenza Perelli's first published story. As a writer, she keeps exploring the mystery of the English language instead of her native Italian. From English-as-a-Sound, to Second Language, to here, it's all she can say about herself right now. Grazie.

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